Tuesday, 29 June 2010
Antony Gormley installation at the White Cube
Saw Antony Gormley's piece at the White cube, as part of our research for the Tearaway Projects devised performance. In this installation, as an audience member you were free to enter the space from any direction and could walk straight through the middle of it.
Journing down the concrete stairs to the installation room, unaware of what to expect and see, allowed the effect of the installation in the dark space to resonate further for the spectator. Led by torch light to the glowing light of the wood beams made from rectangle to rectangle, rectangle in another rectangle, possessed a feeling of being involved in the set of the film the matrix.
As a spectator walking through the space, carefully not tripping on the beams that run across the floor, and ducking so the overhead ones don't hit you. You become in trance to the distance between one beam and another.
A feeling of being lost and restricted within rectangles with no walls was very surprising to me, and effected my confident stride to be demolished into a sheepish tip toe through the space.
A few minutes later and 'bam' the flood lights of more than 50 lamps come barking into the room. (The technical aspect of having to re-charge the paint on the beams to re-glow in the dark) Became the notion of exposing this structure for what it is. It lost its 4D visual effect, I was no longer in outer space or the matrix, but in a room of what could be described as simply wooden MDF beams of rectangles.
For the first time I entered the space I saw the faces and details of bodies of spectators who were also in the same room as me, unnoticed before as only a relationship of dark body in space, not a person infact.
A unique experience of locating which beam connected with which to complete the rectangle. The feeling of becoming trapped and lost within rooms, within rooms within rooms. A 'trip' experience not to be missed.